Read our, Copyright: © Victoria and Albert Museum, London 2017. Immerse yourself in a darkly comic world of inebriated harlots and rakish scoundrels. Title: A Rake's Progress, Plate 2. Personal use, Search 1,238,002 objects and 854,066 images, We use cookies to enhance your experience on V&A websites. Medium: Etching and engraving; fourth state of four. The four-part An Election is based on a real-life election in Oxfordshire between the Whig and Tory parties in 1764, satirising the corruption rife at every level in both camps. Hogarth, A Rake's Progress. Hogarth, William, born 1697 - died 10 (artist), Prints & Drawings Study Room, level C, case MB4A, shelf EE, box SHELF 24 I BOX. Please let us know how you intend to use the images you will be downloading. Some of the plates are duplicated showing various states.

Wikimedia Commons. Print from the series 'A Rake's Progress' by William Hogarth. Private Research William Hogarth's original engraving, A Rake's Progress, Plate 8 is the final plate from the set of eight engravings. The canvases were produced in 1732–1734, then engraved in 1734 and published in print form in 1735. Etching and engraving depicting a work by William Hogarth. Etching and engraving. Hogarth next shows us Moll at the top of the slippery slope to perdition, as the kept woman or mistress of a wealthy Jewish merchant; sadly anti-semitism was endemic at the time. London, 1735. This is the currently selected item. Print from the series 'A Rake's Progress' by William Hogarth. William Hogarth (1697–1764), A Harlot’s Progress: 2 Quarrels with her Jew Protector (engraving 1732 after painting c 1731), engraving, 31 x 38 cm, British Museum, London. William Hogarth, Marriage A-la-Mode (including Tête à Tête) ... William Hogarth, Marriage A-la-Mode (including Tête à Tête) Our mission is to provide a free, world-class education to anyone, anywhere. William Hogarth (1697 - 1764), ... Sir John Soane purchased two of Hogarth’s series, A Rake’s Progress and An Election. Newsletter Please confirm you are using these images within the following terms and conditions, by acknowledging each of the following key points: Maximum 4000 copies, or 5 years digital use, No book jacket, or homepage lead image use, Images must be credited © Victoria and Albert Museum, London.

Website / Blog Dimensions: plate: 14 x 16 1/16 in. Artwork page for ‘A Rake’s Progress (plate 4)’, William Hogarth, 1735 -- Artist: William Hogarth (British, London 1697–1764 London) Date: June 25, 1735. (36 x 41.3 cm) Classification: Prints. Chained, half-naked, and in great anguish is our final view of Tom Rakewell.

Hogarth, William, born 1697 - died 10 (artist) Materials and Techniques. All Rights Reserved. Single plate from a volume of 217 plates and cuts from Hogarth's paintings and designs, etched and engraved by himself and others. Descriptive line. Single plate from a volume of 217 plates and cuts from Hogarth's paintings and designs, etched and engraved by himself and others. The Pilgrim’s Progress, but for Hogarth’s protagonists the only way was down, in torrid tales told through sequential narratives. A Rake's Progress (or The Rake's Progress) is a series of eight paintings by 18th-century English artist William Hogarth. Quite literally, by having married the old hag and now losing her fortune, all his cards have been played. William Hogarth's original engraving, A Rake's Progress, Plate 6, scene six takes us to another gaming house where we witness Tom Rakewell's second, inevitable loss of fortune.Half mad, wig torn from his head, he wrenches his fist at the Heavens. (35.5 x 40.8 cm) sheet: 14 3/16 x 16 1/4 in. Book

Production Note. "A Rake's Progress" ends in the famous madhouse, Bethlehem Hospital (Bedlam). London, 1735. Journal

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