The painting was brought to London and eventually returned to the National Gallery. This decoration was only introduced in October 1813 – well after Wellington had sat for this portrait – and the gold clasps represented the battles in which the officer had fought. The court was told by a member of the Metropolitan Police Fingerprint Branch that fingerprints found on this document were the only clear impressions detected on any of the letters in the case and claimed that a thumb print on this letter was that of Bunton. A further letter seeking guarantees of confidentiality and instructions on what was referred to as ‘The Pay Off’ had also been sent to Lord Rothermere, demanding that he take the following course of action: Your photograph to appear one day in all editions of the Daily Mail, and underneath the words, not necessarily the same but similar to following, ‘Lord Rothermere visiting so & so place yesterday commented upon the position of the two journalists in the Vassal Tribunal. By this time it was clear that although the writer was still demanding a charitable donation of £140,000 for the painting’s return, the desire to avoid prosecution for his actions was uppermost in his mind.

During interrogation Bunton admitted that he had decided to surrender himself because he had carelessly told someone that he had taken the portrait from the National Gallery and feared that, if the £5,000 reward were still on offer, his confidant would report him in order to claim it. They had also exposed defects in the criminal law of England and Wales. On February 29th, 1952 a letter was received in Cabinet Registry confirming that the Queen had given approval for the Stone of Scone to be replaced in the Coronation Chair in Westminster Abbey.

It had been posted in London NW1. Is the Story of ‘The Few’ More Myth Than Reality. With regard to the frame counsel considered that common sense dictated that when the picture was taken this principle also related to the frame. In view of the weight of opposition to his purchase Mr Wrightsman generously offered to sell the picture to the National Gallery for the auction price.

The simplicity of the composition focuses our attention on Wellington’s face.

Police rushed to the station and took possession of the parcel to which the ticket referred. As Kempton Bunton himself had commented, police were looking for a needle in a haystack but did not have a clue where the haystack was.

Wellington was a short man, and Goya paints him in an upright pose with his head held high, as if wishing to appear taller. ‘Goya COM 3’  read: The Duke is safe. The artist then modified it in 1814 to show him in full dress black uniform with gold braid and to add the Order of the Golden Flee… © Copyright 2020 History Today Ltd. Company no. One of three portraits Goya painted of Wellington, it was begun in August 1812, after the subject's entry into Madrid, showing him as an earl in red uniform and wearing the Peninsular Medal. Depictions of Europa in art and literature

His uniform bears the insignia of several military orders. He also confessed that he had been fined on three previous occasions for failing to have a television licence and was incensed that the Government would not allow free TV licences for the elderly. It has been called one of the great art heists of the 20th century. This portrait of Arthur Wellesley, 1st Duke of Wellington, was painted after he had defeated the French forces of Napoleon and entered Madrid victorious in August 1812. The New York collector Charles Wrightsman bid £140,000 (equivalent to £3,139,281 in 2019), but the Wolfson Foundation offered £100,000 and the government added a special Treasury grant of £40,000, matching Wrightsman's bid and obtaining the painting for the National Gallery in London, where it was first put on display on 2 August 1961. The painting was acquired by the Duke of Wellington, and came into the possession of Louisa Catherine Caton, wife of Francis D'Arcy-Osborne, 7th Duke of Leeds and sister-in-law of Wellington's older brother Richard Wellesley, 1st Marquess Wellesley. Although a successful general, the Wellington depicted by Goya is tired from the long campaigning, having won a victory at the Battle of Salamanca on 22 July 1812 before triumphantly entering Madrid on 12 August 1812. Throughout history, such relationships have been brilliantly synergistic. A window in the men’s public lavatory overlooking the inner of the building’s two courtyards had apparently been left open and a builders’ ladder had been removed from its usual place and placed beneath the window.

The trial judge, Mr Justice Aarvold, began his summing up by outlining the law pertaining to the several indictments. On June 14th, 1961 the New York art dealer Charles Wrightsman bought Goya’s portrait of the Duke of Wellington at Sotheby’s for £140,000. That completed the case for the Crown. It descended to John Osborne, 11th Duke of Leeds by the time it was put up for auction at Sotheby's in 1961. The Portrait of the Duke of Wellington is a painting by the Spanish artist Francisco Goya of the British general Arthur Wellesley, 1st Duke of Wellington during the latter's service in the Peninsular War. You must agree to the Creative Commons terms and conditions to download this image. Unfortunately, however, the police had lost the letter prior to Bunton’s arrest. Four Glasgow students were eventually identified as responsible for the theft and the question turned to whether or not, and with what offences, they should be prosecuted. The equestrian portrait was publicly exhibited in September 1812 at the Royal Academy of Fine Arts in Madrid, where Goya was director.

He had refused to pay court fines on each occasion and in default had served 13, 56 and one days’ imprisonment respectively. He wears two broad sashes over his right shoulder: the pink sash of the Order of Bath over the blue sash of the Order of the Tower and Sword . He was charged with theft and sent for trial at the Old Bailey. Wellington sat for Goya shortly after his arrival in Madrid, and the artist produced a large painting of the Duke on horseback (Apsley House, London), a drawing (British Museum, London) and our painting …

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