Sold. This is a non-editioned multiple. In the preface to his novel Joseph Andrews (1742), Hogarth’s great friend and ally Henry Fielding called Hogarth ‘a comic history painter’ whose art consists in the ‘exactest copying of nature’. Download this artwork (provided by The Metropolitan Museum of Art). Sean Shesgreen, Engravings by Hogarth, New York, Dover Press,1973, Dimensions: plate: 14 1/8 x 16 1/4 in. William Hogarth's original engraving, A Rake's Progress, Plate 1 depicts

According to Act of Parliament./Plate 1. The artist biographies, research and or information pertaining to all the original works of art posted on our pages has been written and designed by Greg & Connie Peters exclusively for our site, (www.artoftheprint.com). Paulson, Catalogue #132, Fourth and Final State. These original works date from the Renaissance period to the end of the 1700's. The art in our gallery ranges from the early Renaissance period to the modern and contemporary art period. Training first as an engraver, Hogarth became an independent According to Act of Parliament Plate 1.’ and eighteen-line verse caption. 18 9/10 × 25 1/5 in. 18 9/10 × 25 1/5 in. Eames Fine Art. The subscription for the prints after them began in late 1733, but Hogarth delayed publication until 25 June 1735, the day the Engravers' Copyright Act became law. 25 or 26 October 1764.

Other works from WILLIAM HOGARTH: CHARACTERS AND CARICATURES, Paul Before Felix, Plate 1 (The Burlesque Print), 1751.

Eames Fine Art. A rake's progress: plate 1, 1735 Artist William Hogarth England 10 Nov 1697 - 25 or 26 October 1764 Artist profile All Details About Exhibition history Bibliography Other works Art Set .

Published in: A Rake's Progress: Plate 1; Paulson Catalogue #132, Fourth and Final State (Complete Set of Eight Original Engravings).

seduction, Tom attempts to buy the mother off with coin. To prepare for the funeral, a workman hammers black cloth to Printed upon early nineteenth century wove paper and with large, full margins as published by William Heath in 1822. Inscribed in pencil The publication line only differing slightly from the 1st state./2nd State/ Very fine. Printed by D Koch. We are observing strict physical distancing and hygiene measures to protect the health of visitors and staff and minimise the spread of COVID-19 (coronavirus). Artist: William Hogarth (British, London 1697–1764 London) Date: June 25, 1735. Paulson, Catalogue #137, Third and Final State. The set cost two guineas, but Hogarth had also a smaller and cheaper set, copied by Thomas Bakewell and costing 2s 6d, published soon after. These modern moral subjects, beginning with A harlot’s progress in six scenes in 1732, were a new form of art created by Hogarth and regarded as his most important achievement.

London. The first such set.

To the extreme right we are introduced to the tear ridden His father Learn more about this artwork. Paulson, Catalogue #136, Third and Final State. Learn more about this artwork. The selected works vary drastically in style.

Height: 35.5 cm size of plate, Width: 40.6 cm size of plate, Height: 43 cm size of sheet (irregular), Width: 49.4 cm size of sheet (irregular), Plate from 'The Rake's Progress' by William Hogarth, R.P.= Paulson, Ronald Hogarth's Graphic Works, Revised Edition New Haven and London, 1970 RD.P = Paulson, Ronald Hogarth's Graphic Works, Third Revised Edition, London, 1989. Untitled Visually similar work. tailors, blacksmiths, shoemakers, barbers, fishermen, fishing merchants, wine and flower merchants, peddlers, farming, farmers,manufacturing, construction and other related vocations. A Rake's Progress, Plate 1, 1735. William Hogarth.

Untitled Visually similar work. Accession Number: 91.1.83. is accompanied by her fierce mother who carries love letters in which A keen and humorous observer of human behavior, Hogarth depicted the exuberant life around him, from couples carousing in bawdy houses and taverns to scenes of fairs and theaters. T01789 A Rake's Progress (Plate I) 1735 Etching and engraving 318×387 (12 7/16×15 11/16) on paper 465×610 (18 3/8×24); plate-mark 362×410 (14 7/16×16 1/8) Writing-engraving ‘Invented Painted and Engrav'd by W m. Hogarth, & Publish'd June y'. Plate 1; Paulson #132, Fourth and Final State. Book 48 × 64 cm. Published by Baldwin & Cradock, London. Here, you will find an assortment of rather humorous, more often hilarious depictions of people and animals in typical and unusual circumstances. Please let us know how you intend to use the images you will be downloading. Hogarth, & Published June ye 25 1735. many of the same vices and follies. he has cut a sole for his shoe from the leather cover of a Bible!

Inscribed in pencil The publication line only differing slightly from the 1st state./2nd State/ Very fine. Ronald Paulson, Hogarth's graphic works, New Haven, 1965, no 132. painting and Engraving modern moral subject[s] a field unbroken up in any Country or any age’. A rake's progress: plate 1, A Rake's Progress: Hogarth and Hockney, Rex Irwin Art Dealer, Woollahra, Mar 2006–Mar 2006, Old Europe: Prints & drawings from the collection 1500-1800, Art Gallery of New South Wales, Sydney, 03 Jun 2006–06 Aug 2006. We hope you found the information you were looking for and that it has been beneficial. PROVENANCE Unknown The eight paintings for the series are now in Sir John Soane's Museum. T01789 A Rake's Progress (Plate I) 1735, Etching and engraving 318×387 (12 7/16×15 11/16) on paper 465×610 (18 3/8×24); plate-mark 362×410 (14 7/16×16 1/8) Even so, pirated copies had already appeared by that time. (35.2 x 40.4 cm) Classification: Prints. About the work.

tape re-enforcing a fragile upper plate mark, else each is a finely printed London. View other original Works of Art by William Hogarth, Customer inquiries: Contact us or phone Greg & Connie (905) 957-6666, www.artoftheprint.com - Home For a better experience, switch to Mobile Version », The Art Gallery of New South Wales is open. 1735/1746, The Bull-Ring outside the Gates of Alcala, Madrid, ca. After a few years of painting portraits and conversation pieces, which failed to bring in sufficient cash, Hogarth decided, as he recounts in his Autobiographical notes, to ‘turn my thoughts to a still more new way of proceeding, viz.

Engraving. Paulson, Catalogue #138, Fourth and Final State. All Rights Reserved. plate 28. William Hogarth, A Harlot’s Progress, plate 1, 1732, etching with engraving on paper, 31.4 x 38 cm.

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