Sandro Botticelli (Italian, 1444/45-1510), and Workshop.

Botticelli was renowned for the refinement and sweet delicacy of his figures. As a charity, we depend upon the generosity of individuals to ensure the collection continues to engage and inspire. Mar 18, 2019 - 80% off a Hand Made Oil Painting Reproduction of Virgin and Child with Young St John the Baptist, one of the most famous paintings by Sandro Botticelli (Alessandro Filipepi). This composition was so popular that workshop assistants were encouraged to produce further versions, several of which survive; one of particularly high quality is in the National Museum of Wales, Cardiff. Barker owned two paintings by Botticelli of the Virgin and Child with St. John the Baptist. It is housed in the Cleveland Museum of Art. [1], The Story of Nastagio Degli Onesti, part one, Venus and the Three Graces Presenting Gifts to a Young Woman, A Young Man Being Introduced to the Seven Liberal Arts, Madonna of the Rosegarden (Madonna del Roseto), Madonna of the Magnificat (Madonna del Magnificat), Madonna of the Pomegranate (Madonna della Melagrana), Madonna Adoring the Child with Five Angels, Virgin and Child with the Infant St. John the Baptist, The Virgin and Child with Three Angels (Madonna del Padiglione), Portrait of a Man with a Medal of Cosimo the Elder, https://en.wikipedia.org/w/index.php?title=Virgin_and_Child_with_the_Young_Saint_John_the_Baptist_(Botticelli)&oldid=962932184, Articles using Infobox artwork/wikidata using locally defined parameters, Creative Commons Attribution-ShareAlike License, This page was last edited on 16 June 2020, at 20:26.

Both the Renaissance and the maternal love embrace the man in the same way when they make the world revolve around him". Around 1840s, probably acquired in Florence by E. Joly de Bammeville, Paris; June 12, 1854, Joly de Bammeville sale, Christie, Manson, and Woods, London, lot 51, sold for £546 to Alexander Barker (d. 1873), London [see note 1]. This picture is not by Botticelli but by his workshop, which was one of many that produced them. See what's new with book lending at the Internet Archive, Uploaded by It is equally noteworthy the remarkable intensification of the emotional bond that unites Mary and baby Jesus, unusual in Madonnas executed by the painter in his youth. In fact, it is possible to list at least a dozen productions by Botticelli, all of the last decade of the century, similar in composition to the work of MASP, the closest being the tondo that is conserved at the Sterling and Francine Clark Art Institute in Williamstown, Massachusetts, identical to the title of this work and also dated around 1490. The Virgin and Child with the Infant Saint John the Baptist is a tempera painting on wood executed by the Italian Renaissance master Sandro Botticelli and his studio (Bartolomeo di Giovanni or Raffaelino di'Carli). Sandro Botticelli (Italian, 1444/45-1510), and Workshop. View in Augmented Reality. Circular paintings like this one were known as tondi (from the Italian for ‘round’). The image file is 800 pixels on the longest side. During the fifteenth century, artists frequently chose to include the ruins of ancient architecture in religious paintings to emphasise that Christianity overcame the pagan past.

clevelandart-openaccess Workshop of Sandro Botticelli. ); diameter: 68 cm (26 3/4 in.). 1490), Tempera, oil, and gold on panel, 34 7/8 in diameter The full text of the article is here →, {{$parent.$parent.validationModel['duplicate']}}, Museo de Arte de Sao Paulo (MASP), Sao Paulo, Brazil, en.wikipedia.org/wiki/Virgin_and_Child_with_the_Infant_St._John_the_Baptist_(Botticelli), 1-{{getCurrentCount()}} out of {{getTotalCount()}}, Virgin and Child with the Infant St. John the Baptistbetween, https://en.wikipedia.org/wiki/Virgin_and_Child_with_the_Infant_St._John_the_Baptist_(Botticelli).

The other painting was auctioned by Christie's (Barker collection sale, June 6-8, 1874, lot 91) and was erroneously listed in the catalogue with the provenance of the present painting.

7172); 1895, sold by Agnew to the MFA for $5000.

The tondo, painted in Florence between the years of 1490 and 1500, addresses a central theme of the Italian Renaissance art: the divine motherhood. The small bridge on the outer right-hand side, isolated from the rest of the scene by the remains of a wall, seems to offer the only way of crossing. This image is licensed for non-commercial use under a Creative Commons agreement. View in Street View. There has been some dispute as to whether Botticelli or his pupil, Filippino Lippi, produced this work. This painting was made as part of a group of four works that tell the story of the life of Florence’s patron saint, Zenobius; it is the first of the series. The painting is generally attributed to Botticelli, as it is similar to his other works of the time. Botticelli produced a large number of Madonnas during the decades of 1480 and 1490. The work is currently housed in the São Paulo Museum of Art.

Virgin and Child with the Young Saint John the Baptist c. 1490 Sandro Botticelli and Workshop (Italian, 1444/45-1510) He holds a reed cross to his shoulder and clutches a scroll in his other hand, its Latin inscription anticipating the words he will say before baptising Christ in the River Jordan: ‘Behold the Lamb of God’ (John 1: 29). The painting is generally attributed to Botticelli, as it is similar to his other works of the time. The grass growing on top of the wall on the right and the fresh branches emerging from the rock formation on the left, exactly above Christ’s head, herald a new beginning. They were much sought after in fifteenth-century Florence, and the workshop of Sandro Botticelli specialised in their production, as three further examples in the National Gallery’s collection demonstrate. (81.6 × 57.4 cm) Credit Line Charles H. and Mary F. S. Worcester Collection Reference Number 1963.206 Extended information about this artwork From Clark Art Institute, Sandro Botticelli, Virgin and Child with Saint John the Baptist (ca. The Virgin and Child with the Young Saint John the Baptist is a painting of c. 1490 by the Italian Renaissance painter Sandro Botticelli and his workshop. Loggy and Alex’s friendship in Miami’s redeveloping Liberty Square is threatened when Loggy learns that Alex is being relocated to another community. The intact buildings in the background contrast with the ruinous structure under which the Virgin and Christ Child seem to have found refuge.

William Ward, 1st Earl of Dudley (b. This is the second panel in a series of four paintings that tell the story of Florence’s patron saint, Zenobius. The Virgin and Child with the Young Saint John the Baptist is a painting by the Italian Renaissance painter Sandro Botticelli, c. 1490. Antonino Santangelo emits a similar opinion, noting that the "free and harmonious intertwining of hands and faces, mobility and precision recall the works of Botticelli shortly before 1500". The Virgin and Child with Saint John the Baptist.

Sandro Botticelli: The Virgin and Child with Saint John the Baptist. In the first scene, on the far left, he shows the saint – who was the bishop of Florence – dressed in a b... Venus, the goddess of love, looks over at her lover Mars. ); diameter: 68 cm (26 3/4 in.). Be the first one to, Virgin and Child with the Young Saint John the Baptist, clevelandart-1970.160-virgin-and-child-wit, Advanced embedding details, examples, and help, Sandro Botticelli (Italian, 1444/45-1510), Terms of Service (last updated 12/31/2014). The tondo, painted in Florence between the years of 1490 and 1500, addresses a central theme of the Italian Renaissance art: the divine motherhood. The workshop of Sandro Botticelli specialised in their production, as three further examples in the National Gallery’s collection demonstrate (such as, The Virgin and Child with Saint John and an Angel). on January 13, 2019, Virgin and Child with the Young Saint John the Baptist, c. 1490. Her downward gaze meets that of her infant son, Christ, who is lying on the edge of her blue cloak, leaning against a bundle of straw. Agnew and Sons, London (stock no. Virgin and Child with the Young Saint John the Baptist, c. 1490. Free certificate of authenticity free shipping. They were much appreciated in the 15th century and often ordered by patrons and guilds to decorate palaces or for use as objects of private devotion. The other painting was auctioned by Christie's (Barker collection sale, June 6-8, 1874, lot 91) and was erroneously listed in the catalogue with the provenance of the present painting. (b. The golden dome of heaven has opened up and is circled by 12 angels holding olive branches entwined with scrolls and hung with crowns. Portraits like this – of idealised women, seen in profile – were popular in fifteenth-century Florence. She is alert and dignified, while he – the god of war – is utterly lost in sleep.

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