Bernard Berenson. Donal Cooper in Dominique Thiébaut, (ed.).

206, 307, no. 38-39, ill. (as Giotto) Bis. All rights reserved. 1 (London, 1963), p. 82.

"Die Giotto-Ausstellung in Florenz." 2nd February 2017, San Diego, USA. cat.

A child whose parents reside in different States shall have the right to maintain on a regular basis, save in exceptional circumstances personal relations and direct contacts with both parents. Volbach. 15, 198, 191. 2 (Milan, 1986), p. 576.

"Giotto." Exh. comerciales, publicitarios o para cualquier uso Italian Pictures of the Renaissance: Florentine School, vol. (as pupil of Giotto, as part of a predella or panel from a sacristy chest) Francis, H. (2014, 9 May) 'Ensuring the visibility of the child' presentation delivered at the SA Family Law Pathways Forum, Adelaide. Emporium 86 (July 1937, pp. Mass will be celebrated after Via Crucis. Francesca Flores d'Arcais. (J. Paul Getty Museum: Los Angeles, 2012), pp. The feast celebrates the presentation of Christ in the temple at Jerusalem on the 40th day after His birth.

European Scientific Association on Residential And Family Care (EUSARF) Conference. 103-106. Para solicitar imágenes o permisos con fines

(as attributed to a follower of Giotto) Federico Zeri, with the assistance of Elizabeth E. Gardner. (as Giotto) Purchased by Isabella Stewart Gardner from Jean Paul Richter for £1,500 on 8 March 1900 from Miss Toplady (a firm of art dealers established by Logan Pearsall Smith (1865–1946), brother-in-law of Bernard Berenson), London through the American art historian Bernard Berenson (1865–1959). 'Reducing child abuse and neglect: Why child-focussed reform offers the greatest promise in child protection'. Dedalo 2 (1930), p. 290. Paragone 8 (January 1957), p. 78 (as attributed to Giotto) Florence at the Dawn of the Renaissance: Painting and Illumination, 1330–1350. (as part of an altarpiece for a Franciscan church, possibly for one of the chapels in the church of Santa Croce, Florence) Purchased by Nathaniel Phillip Simes, Strood Park, Horsham, Sussex at the Poniatowski sale from the art dealers Christie and Manson, London for £4.4.0 on 9 February 1839, lot 102. The Burlington Magazine for Connoisseurs 14, no. Il Duecento e il Trecento, vol. 25 Evans WayBoston, MA 02115617 566 1401 Exh. Victor M. Schmidt in Christine Sciacca, (ed.). Giotto and Some of His Followers, vol. Giovanni Previtali.

(as Giotto, as belonging to one of his four polyptychs for the Church of Santa Croce, Florence)

The work was correctly attributed in the sale catalogue, where it formed a pair with a, Saint Francis with the Stigmata, held up by an Angel, The Presentation of the Christ Child in the Temple. It was a rule among the Jews that the first boy child born to a family was to be taken to the Temple in Jerusalem. (as workshop of Giotto)

1 (Cambridge, 1917), pp.

Le arti 17 (December 1938-January 1939), pp. 125-26. (as a talented assistant of Giotto) Mary’s presentation in the temple draws parallels to that of the prophetSamuel, whose mother Hannah, like Anne was also thought to be barren, and who offered her child as a gift to God at Shiloh. (as Giotto, grouped with three other fragments of the same painting)

Burlington Magazine 131 (August 1989), pp. Robert Oertel. Exhibition of Early Italian Art from 1300 to 1550. © Copyright 2020 Catholic Exchange. Giotto (Florence, 1981), p. 65 (as executed with participation of Giotto, as part of an altarpiece) Use for educational purposes is defined as the non-commercial and non-advertising use of images in presentations, lectures, school or university projects, and academic or research publications of which no more than 1,000 not-for-profit copies are printed.

(as Giotto) Curt H. Weigelt. Raising a happy, healthy child is one of the most challenging jobs a parent can have -- and also one of the most rewarding. Cesare Gnudi. (as hesitantly attributed to a close follower of Giotto) 48-49, 54.

Morning – 6:00, 6:45 de Imágenes del museo The Connoisseur: An Illustrated Magazine for Collectors, "Isabella Stewart Gardner Museum" (London, 1978), p. 29, pl. (eds.) (as Giotto) David Bomford et al. 13-16. A Catalogue of the Gallery of Pictures of the Prince Poniatowski, Deceased, from the Palazzo Poniatowski, Florence (London, 8 February 1839), lot 102. Storia dell'arte 1/2 (1969), p. 156 (as part of the predella for an altarpiece from a chapel in the church of Santa Croce, Florence) cat. El Archivo Fotográfico del Museo Nacional cat. Roger Fry and Italian Art (London: Ad Ilissum and The Burlington Magazine, 2019), cat. The Presentation at the Temple . Guida alla mostra. Rivista d'arte 31 (1937), p. 57. The Complete Paintings of Giotto (New York, 1966), p. 116, no. (London, 2011), pp. Stuart Preston. (as part of an altarpiece for the church of Santa Croce, Florence) 202, 204-206, 272, 288, 289, 296. 5. Sargent on Location: Gardner's First Artist-in-Residence.

universitarios, y publicaciones académicas o de

Pietro Toesca. Exh.

Exhibition of the Works by Old Masters... Exh. Giotto’s ability to create believable space within the picture and his skill at depicting emotion made him one of the most famous artists of his time. (as follower of Giotto)

"The Conservatism of Umbrian Art: Raphael and Before." Cesare Brandi. Her journal, discovered in 1887, gives an unprecedented glimpse of liturgical life there.

investigación con una tirada inferior a 1.000 ejemplares (as workshop of Giotto) Exh. Elvio Lunghi in La pittura in Italia. Osvald Siren. "Notes on the Italian Exhibition at Burlington House-I." (as workshop of Giotto) (as part of a dossal)

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