... On Frank O'Hara's Death [by David Lehman]
The King of Zines: AA Bronson’s reflections on artists’ books and the shifting nature of self-publishing culture. MW: I was assuming that recent interest in archival documents has changed the status of your department within the institution. The identifying caption reads: "In a corner of the Five Spot (left to right) are: Sculptor David Smith; Frank O'Hara, a poet; Larry Rivers and Grace Hartigan, both artists; an economist Sydney Rolfe; dancer Anita Huffington; and Bill Hunter, a neurosurgeon. Read the complete “ The Day the Lady Died ” and a biography of Frank O’Hara on Poetry Foundation. that poetry should evoke the feeling that it is something to be DS: It definitely has. print) focusing on questions around I think that there’s a shifting of the reception of the historical window of the 1960s and 1970s; it is now a sort of a new, canonized era for historical shows. and the New England Conservatory of Music. ‘I’ve been I’m really interested in this second life of our materials,, especially to initiatives like Primary Information who often scan our material and find ways of republishing it. In that case, publications and little ephemera objects become a source for curation. rose from their table and moved to the piano. O’Hara

satisfied his own interest in contemporary music: ‘Seven Invitations / Postcards / Business Cards / Works of Art. Their MW: What you just described is what has become a method to thematize contextual information on art through artists’ ephemera as documents—I think that this might be a legacy we owe to conceptual art practices. When I was working with the collection here at the museum to prepare the exhibition Please Come to the Show, some of the works that were really resonating with me were invitations or posters that had a little note from the artist. DS: This is a really good question, and I think it’s something we’re struggling with. Anniversaries’ by Leonard Bernstein, ‘10 Preludios’ by Carlos

and Saudades do Brazil by Darius Milhaud.”. Main of coming back We use cookies to ensure that we give you the best experience on our website. In the current context, however, I think that a new terminology needs to be defined and thought about. Maja Wismer is a PhD candidate at the University of Basel, where she is writing a dissertation on the multiples of Joseph Beuys, discussing them as products of 1960s and 1970s West Germany.

St. John's Preparatory High School, Temple Street, Worcester, circa 1960, Recalling Holiday’s death at the young age of forty-four. Mike Goldberg in the olive-drab Bugatti he had bought the year before Their motive is to realign them with the original intention: to circulate an object cheaply. Comments, corrections, and suggestions They find titles that had been out of print and are seeking to make them available and to distribute them at an accessible price rather than treating them like rare scarce things. Programme in Curating, Institute for for the pleasure "Joe Tremini, a large and friendly man who seemed to like painters, As a final step before posting your comment, enter the letters and numbers you see in the image below. that afternoon and read it straight down to its concluding stanza: I am sweating a lot by now and thinking of.

Email address will not be displayed with the comment.). What’s your relationship to the printed document apart from a certain nostalgia? MW: Or have objects just become too valuable according to market value for storage conditions at the library? Kline, and Larry Rivers were habitues. This page became very well followed, and it became very clear that these things are of interest to someone somewhere.

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