in, Create 1, Internet Resource, Herbert W Rott, George Stubbs, 1724-1806, science into art , Prestel, Munich ; New York, 2012, pp.

To artists the world of images, ideas, forms and feelings is their real world and their creative world, thus dating back to cave paintings using animal blood, proving that art was appreciated in pre-historic times and has been ever since. 32, July 1808, pp. the Celebrated Painter of Horses, The Sporting Magazine, vol. ‘A Horse Frightened by a Lion’ was created in 1770 by George Stubbs in Romanticism style. 1, W. Clowes and sons, New Haven, 1965, p. 46 (v. 1), no. State: I or II/III. From this page our collections can be explored and enjoyed at any time. She was married for nearly 45 years. Born on the 22nd April 1943 in Greenwich in war torn London, Mum grew up as part of a fighting community and fought on till the end on the 17th April this year at Kings College Hospital.

48, ND1314.3 Y36 1998 (YCBA), Robert Michael Neuman, Baroque and Rococo art and architecture, Pearson, Boston, 2013, p. 401, , N6415.B3 N48 2013 (YCBA), Onno Dag Oerlemans, The Meanest Thing that Feels, Anthropomorphizing Animals in Romanticism , Mosaic: a Journal for the Interdisciplinary Study of Literature, v. 27, no. Cookies and similar technologies allow us to better understand your needs and improve your experience on our website.

These cookies cannot be turned off by the user unless you disable all cookies in your browser. [large print labels] , Yale Center for British Art, New Haven, CT, 2007, v.1, N5220 M552 +P381 2007, Mellon Shelf (YCBA), Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon, [exhibition at] Yale University Art Gallery, April 15-June 20, 1965. , vol.

These cookies enable us to improve the online services and experiences we offer you, by allowing us to monitor the number of visitors to our website and how they navigate it. George Stubbs loved the dramatic theme of a lion attacking a horse. The painting now is collected by Tate Britain. 38, N1 B87+ (YCBA) Available online on JSTOR, Malcolm Warner, Stubbs & the Horse, Yale University Press, New Haven and London, 2004, pp. ( Log Out / 

Manage your membership, curate your My Picks and, if you work in a museum or gallery, access support for you and your venue. Handmade art reproductions of Horse Frightened by a Lion are available to be custom made as oil painting or other art forms. 40, fig.

account, The IP address from which the device accesses a client’s website or mobile application, Information about the geographic location of the device when it accesses a website or mobile application, Remember your login details and store your preferences, Create a better, more personalised experience, Help us understand how people interact with our website and how this could be improved, Make our advertising and communications efforts more efficient with measurement and targeting. Licensing images supports Tate. Please enter your email address and we'll send you a link to reset your password. The apple of Des’s eye, his sculpture of Josephine will pass on to Joan, her own mother who she was very close to. Change ), You are commenting using your Twitter account. Please set all privacy options to continue.

Read our. Please set all privacy options to continue. Oil on canvas, 705 x 1019 mm. Art Fund aims to improve the services we offer. This means you might see personalised or targeted adverts while browsing other websites. He then departs from portraiture of these animals to echo more sublimnal emotions of Romanticism such as terror and anguish, for instance; the wild landscape of dramatic rock formation – The Creswell Crags – adds to the mood. They enable you to move around the site and use its features, for example accessing My Art Fund, completing a form or buying a National Art Pass.

no. Etching and engraving. 634, December 1964, pp.216,217,218, fig. Besides, recommend you … You can use it however you want. I wish I were made of that sort of stuff! 'The Horse Frightened by a Lion is perhaps not everyone's instinctive idea of a horse painting by Stubbs.

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It was probably the pair to Horse Devoured by a Lion: the 2 pictures were shown at the Society of Artists in 1763, the first on the theme to be exhibited by Stubbs. Catalogue raisonné: Taylor 1; Lennox-Boyd, Dixon, Clayton 59. A Horse Frightened by a Lion c oil on canvas Stubbs George Yale Center for British Art Paul Mellon Collection USA The Bridgeman Art Library.
Manage your membership, curate your My Picks and, if you work in a museum or gallery, access support for you and your venue. Art appreciation has transcended many disciplines, as we have seen with Vasari and the biography; it blends nicely with literature.

This painting comes from a series of four painting in a terrifying attack on a horse.

Artwork page for ‘Horse Frightened by a Lion’, George Stubbs, ?exhibited 1763 on display at Tate Britain. Acquisition of painting Horse Fightened by a Lion by George Stubbs. Please review and manage your cookie settings. Find out more about how to do this. in, Create 8 characters with upper and lowercase letters, numbers and symbols. Water skiing topless under Hearn Bay pier and winning a downhill ski race in France, are but a few. A critic will usually identify aesthetics in a painting or sculpture and opinions have often changed with certain artistic movements treated with hostility to begin with and accepted later on.

With this piece of art Grandma, you will always remember your daughter’s beauty.

Thank you everyone for attending this sad occasion. this is the first stage as the horse scents the lion emerging from its cave and rises up in fright. Horse Frightened by a Lion by Stubbs. These cookies allow companies or advertisers we work with to deploy more relevant ads and improve the efficiency of our marketing efforts. Rest in peace mum, we all love you very much. Sport has played a large part in mum’s life. This painting comes from a series of four episodes in a terrifying attack on a passive horse. Self-trained, Stubbs learnt his skills independently from other great artists of the eighteenth century such as Reynolds or Gainsborough. ( Log Out /  This can help us to ensure you find what you’re looking for easily, for example.

She touched our lives in a great many ways.

101, NJ18 St915 W37 (YCBA), Paul Mellon's Legacy, a passion for British art.


Cookies and similar technologies allow us to better understand your needs and improve your experience on our website. National Museums and Galleries on Merseyside for Walker Art Gallery, Copyright © 2020, National Heritage Memorial Fund. 15, fig. Exhibited 1763, oil on canvas, 705 x 1019, frame: 885 x 1208 x 85mm. We collect this information in a way that does not identify you and the data is not shared with anybody else. no. Whilst his race horses were certainly his most popular work, Stubbs himself found great personal satisfaction in this image, creating some 17 different versions. 122-3, no. ( Log Out /  The dramatic theme of a lion attacking a horse preoccupied Stubbs for over 30 years.

"Art Fund" is the operating name of the National Art Collections Fund, a charity registered in England and Wales (209174) and Scotland (SC038331).

Thanks once again for all your support. Stubbs invites us instead to imagine that the horse and lion exist in a timeless state of nature, and in an uncivilised landscape; in this state, the horse is the natural prey of the lion, and the only law is the law of nature: the survival of the stronger.' 25, NJ18 St915 G54 1999 (YCBA) Copy 2 is on Mellopn Shelf, Stephen Deuchar, Noble exercise, the sporting ideal in eighteenth-century British art , Yale Center for British Art, New Haven, 1982, p. 47, no. 8, N1 C75 + OVERSIZE (YCBA) Another copy available in YCBA Vertical File Collection: v 2334, Kentucky Horse Park, All the queen's horses, the role of the horse in British history , Lexington, KY, 2003, p. 67, no. “Horse Frightened by a Lion depicts a majestic stallion in a very different situation. Mums legacy is surely with Bromley Sparks, which started off as a few people down the pub and will keep on developing in the future. Regrettably the journey is now over but she managed a month in South Africa this February. Of course dad was at her bedside and it has been hard for the three of us to let her go. Please review and manage your cookie settings. 8 characters with upper and lowercase letters, numbers and symbols. 75, ND466 .H65 2014 OVERSIZE (YCBA), T. N., Memoirs of George Stubbs, Esq.

To find out more, read our cookie policy or to manage your settings click here. Ironically, Mum once had her portrait hanging in the Maudsley, across from Kings – painted by her father Desmond – and acknowledged by her cheeky uncle who worked there after the war as a young doctor. Change ).

Later, he also painted another piece of art of the lion attacking the horse. We use cookies to enhance your experience on our website. A Horse Frightened by a Lion.

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