-- See the Elon Musk family tree here at FameChain. George Stubbs was Britain’s greatest sporting painters and is most famous for his paintings of horses. [3] Stubbs subsequently approached the Lancashire painter and engraver Hamlet Winstanley, and was briefly engaged by him in a sort of apprenticeship relationship, probably not more than several weeks in duration.

[14], The record price for a Stubbs painting was set by the sale at auction of Gimcrack on Newmarket Heath, with a Trainer, a Stable-Lad, and a Jockey (1765) at Christie's in London in July 2011 for £22.4 million. Please confirm you are using these images within the following terms and conditions, by acknowledging each of the following key points: Maximum 4000 copies, or 5 years digital use, No book jacket, or homepage lead image use, Images must be credited © Victoria and Albert Museum, London. George Stubbs ARA (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. [1] Information on his life until the age of 35 or so is sparse, relying almost entirely on notes made by Ozias Humphry, a fellow artist and friend; Humphry's informal memoir, which was not intended for publication, was based on a series of private conversations he had with Stubbs around 1794, when Stubbs was 70 years old, and Humphry 52. In the 1770s Josiah Wedgwood developed a new and larger type of enamel panel at Stubbs's request. The son of a prosperous tanner, Stubbs was briefly apprenticed to a painter but was basically self-taught. His interest in the combination of anatomy and art was thus awakened early on. Stubbs's son George Townly Stubbs was an engraver and printmaker. By 1763 he had produced works for several more dukes and other lords and was able to buy a house in Marylebone, a fashionable part of London, where he lived for the rest of his life. This led Mellon to create the Paul Mellon Foundation for British Art (The predecessor of the Paul Mellon Centre for Studies in British Art) with Taylor as the director. All relationship and family history information shown on FameChain has been compiled from data in the public domain. [1], Stubbs worked at his father's trade until the age of 15 or 16, at which point he told his father that he wished to become a painter. Information on his life until the age of 35 or so is sparse, relying almost entirely on notes made by Ozias Humphry, a fellow artist and friend; Humphry's informal memoir, which was not intended for publication, was based on a series of private conversations he had with Stubbs around 1794, when Stubbs was 70 years old, and Humphry 52. Stubbs's Pumpkin with a Stable-lad was the first painting that Mellon bought in 1936. Sue Hudson 3/26/06. Height: 1490 mm, Width: 2130 mm, Depth: 115 mm, Height: 1491 mm Frame, Width: 2105 mm Frame, Depth: 80 mm Frame. [5] In York, from 1745 to 1753, he worked as a portrait painter, and studied human anatomy under the surgeon Charles Atkinson, at York County Hospital,[6] One of his earliest surviving works is a set of illustrations for a textbook on midwifery by John Burton, Essay towards a Complete New System of Midwifery, published in 1751.[6]. Stubbs hoped to achieve commercial success with his paintings in enamel, but the venture left him in debt. Stubbs also painted a wide variety of other animals, including the lion, tiger, giraffe, monkey, and rhinoceros, which he was able to observe in private menageries. View George Stubbs's Family Tree and History, Ancestry and Genealogy. Remembered for his oil paintings depicting horses and other animals, this eighteenth-century English artist is notable for works such as Whistlejacket (1762), Portrait of a Large Dog (1772), and The Kongouro [Kangaroo] from New Holland (1772).

Stubbs was born in Liverpool, the son of a currier, or leather-dresser, John Stubbs, and his wife Mary. Until the invention of the train and the car, the best form of transport on land was a horse. [15], The British Royal Collection holds 16 paintings by Stubbs.

Throughout the 1760s he produced a wide range of individual and group portraits of horses, sometimes accompanied by hounds. In 1754 Stubbs visited Italy. I wonder what these animals are thinking? Even before his book was published, Stubbs's drawings were seen by leading aristocratic patrons, who recognised that his work was more accurate than that of earlier horse painters such as James Seymour, Peter Tillemans and John Wootton. During the summer of 1780 George Stubbs stayed at Etruria, with the Wedgwood family whilst Josiah experimented in making large-size terracotta plaques for Stubbs to paint on. The son of a prosperous tanner, Stubbs was briefly apprenticed to a painter but was basically self-taught. Though he spent the initial years of his young adulthood learning his father's trade, by the age of 15, he knew he had a passion for painting.His father's resistance to the idea was quickly quelled, and George was given an apprenticeship with a notable local painter. There is no owner or jockey here, just a horse alone in the landscape. Explore how the celebrity world connects. The art historian Basil Taylor and art collector Paul Mellon both championed Stubbs's work. Perhaps more impressive than the single portraits are his pictures of informal groups of horses, such as Mares and Foals in a Landscape (c. 1760–70). According to the artist Ozias Humphrey, Stubbs was so convinced of the importance of observation that he visited Italy in 1754 only to reinforce his belief that nature is superior to art.

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Stubbs taught himself how to draw and paint. Create a free family tree for yourself or for George Stubbs and we’ll search for valuable new information for you.

[7] Forty years later he told Ozias Humphry that his motive for going to Italy was, "to convince himself that nature was and is always superior to art whether Greek or Roman, and having renewed this conviction he immediately resolved upon returning home". His most famous work is probably Whistlejacket, a painting of the thoroughbred race horse rising on his hind legs, commissioned by the 2nd Marquess of Rockingham, which is now in the National Gallery in London. George Stubbs was a minor figure in British art history until the mid-1900s. view all 20 Immediate Family. Click here to Start FameChaining.

His masterly depictions of hunters… Stubbs taught himself how to draw and paint. Do you think Stubbs sometimes felt sorry for the horses he painted? [8] He moved to London in about 1759 and in 1766 published The anatomy of the Horse. Have a look at this picture of a grey stallion, Horse In The Shade of a Wood. This painting was most likely commissioned to commemorate the alliance of the Milbanke and Melbourne families through marriage in April 1769. In the mid-1700s when Stubbs was alive, horse breeding and racing became popular. Our editors will review what you’ve submitted and determine whether to revise the article. From 1761 to 1776 he exhibited at the Society of Artists of Great Britain, but in 1775 he switched his allegiance to the recently founded but already more prestigious Royal Academy of Arts. This article was most recently revised and updated by, National Gallery of Art, Washington - Biography of George Stubbs, Web Gallery of Art - Biography of George Stubbs. The famous picture, on oak panel, shows Stubbs’s ability as a horse painter, for which he was rightly acclaimed. Stubbs also painted Josiah and Sarah on ceramic plaques and Sarah’s father Richard Wedgwood while he stayed in Staffordshire. His masterly depictions of hunters and racehorses brought him innumerable commissions. He and German painter and printmaker Franz Marc are both known for works that feature horses as subjects. It was sold by the British Woolavington Collection of sporting art; the buyer was unidentified. What made Stubbs a great painter of horses was that he really loved horses and cared about them a lot. Primarily a self-taught artist, he became a portrait painter in the mid 1700s and enriched his work by studying anatomy at York County Hospital. He was buried in the graveyard of Marylebone Church, now a public garden. In the 1780s he produced a pastoral series called Haymakers and Reapers, and in the early 1790s he enjoyed the patronage of the Prince of Wales, whom he painted on horseback in 1791. Democratic candidate for the Vice-Presidency of the United States. The married woman is Elizabeth Milbanke (seated in a carriage on the left) and her husband is Peniston Lamb, 1st Lord Melbourne, mounted on a chestnut horse on the right. His interest in anatomy, revealed at an early age, became one of the driving passions of his life. During his stay Stubbs made sketches for a large family conversation piece depicting the whole Wedgwood family gathered in the grounds of their home - Etruria Hall. The painting above is a painting of a horse owned by one of the founding members of the Jockey Club. George Stubbs's parents: George Stubbs's father was Henry Stubbs George Stubbs's mother was Elizabeth Stubbs. Be on the lookout for your Britannica newsletter to get trusted stories delivered right to your inbox. FameChain has their amazing trees. Unfortunately, he tended to execute his paintings in thin oil paint, and relatively few survive in undamaged condition.
Meanwhile, he also continued to accept commissions for portraits of people, including some group portraits. son. [9] He became preoccupied with the theme of a wild horse threatened by a lion and produced several variations on this theme. George Stubbs was born on month day 1858, at birth place. Son of a prosperous tanner, he was briefly apprenticed to a painter but was basically self taught.

Stubbs remained a secondary figure in British art until the mid-twentieth century. [11] Basil Taylor was commissioned in 1955 by Pelican Press to write the book Animal Painting in England – From Barlow to Landseer, which included a large segment on Stubbs. Oil painting, Wedgwood family picture painted by George Stubbs in 1780. [17], Paul Mellon Centre for Studies in British Art, Captain Samuel Sharpe Pocklington with His Wife, Pleasance, and possibly His Sister, Frances, George Stubbs, Painter: Catalogue raisonné, "Collection Record: Pumpkin with a Stable-lad", "History of the Paul Mellon Centre 1962–1969", "George Stubbs in the Collection of Paul Mellon: A Memorial Exhibition", "Stubbs, Gainsborough Records Boost $80 Million Auction", "Search results: George Stubbs (1724–1806)", "George Stubbs' kangaroo and dingo paintings to stay in UK".

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