In the Early Renaissance, it was celebrated through being one of the first Roman sculptures to be copied.

It was possibly an object destined for decorative or ornamental use as this motif became popular. This statue was first documented at the Villa Medici in Rome.
The Roman Senate commemorated the event by commissioning the bronze statue. This theme was widespread and well known in ancient times, and probably created in Greece in the 3rd century BC. Richard Cocke, "Masaccio and the Spinario, Piero and the Pothos: Observations on the Reception of the Antique in Renaissance Painting". During the Renaissance, the Spinario was one of the most famous sculptures of antiquity, and it was an inspiration for many artists of that time. Description: In front of the Raphael Hotel is Boy with Thorn. Sorry, your blog cannot share posts by email. You are welcome to review our Privacy Policies via the top menu. Perhaps it was the freshness of the scene, portrayed with a discreet elegance, that made the young man such an interesting motif to copy. [3] It must have been one of the sculptures transferred to the Palazzo dei Conservatori by Pope Sixtus IV in the 1470s, though it is not recorded there until 1499-1500.[4]. This page was last edited on 6 September 2020, at 08:02. The image of the extraction of a thorn from the foot was invented in the Hellenistic period. The making of this copy was overseen by Giovanni Fancelli and Jacopo Sansovino, and the transaction effected by the courtly Benvenuto Cellini. National Museum of African American History and Culture, J.F.Kennedy Presidential Library and Museum, Peabody Museum of Archaeology and Ethnology, National Roman Legion Museum & Caerleon Fortress & Baths, Musée National du Moyen Age – National Museum of the Middle Ages, Akrotiri Archaeological Site – Santorini – Thera, Museum of the History of the Olympic Games, Alte Nationalgalerie – National Gallery, Berlin, Deutsches Historisches Museum – German Historical Museum, Museo Nacional Centro de Arte Reina Sofía- Virtual Tour, Nationalmuseum – National Museum of Fine Arts, Stockholm, National Museum of Art, Architecture and Design, Jewish Museum of Australia – Virtual Tour, National Portrait Gallery, Canberra, Australia, Museum and Art Gallery of the Northern Territory, Museo Nacional de Bellas Artes (Buenos Aires), Most Popular Museums, Art and Historical Sites, Museum Masterpieces and Historical Objects, The Archaeological Civic Museum (MCA) of Bologna, https://creativecommons.org/licenses/by-sa/3.0, Title:                     Boy with Thorn, Dimensions:          H: 69 cm W: 40.5 cm D: 35 cm, Title:                      Spinario (Boy Pulling a Thorn from His Foot), Artists:                   Pier Jacopo Alari Bonacolsi (c. 1460–1528), called L’Antico, Date:                      Modeled by 1496, cast ca.

1501, Material:                Bronze, partially gilt (hair) and silvered (eyes), Dimensions:           H. 7 3/4 in (19.7 cm); W. of base 2 15/16 in (7.5 cm), Title:                      The Boy with Thorn, or Spinario. The boy has been identified as a young shepherd. For in-depth analyses on restorations, explore our web resources: resource 1.

In Italy there are several copies, one of which is on display at the Uffizi Gallery. It is a copy of the original 5th century sculpture that resides in the Uffizi Gallery in Florence, Italy and it was sculpted by Bernhard Zuckerman. This theme was widespread and well known in ancient times, and probably created in Greece in the 3rd century BC. that can be found in the Capitoline Museums, Rome.

His gaze, is concentrated on his injured foot, his hair caresses his neck and forehead, and his delicately moulded body is that of a young man with tensed muscles, focused on the difficult task of not feeling pain. “As the picture teaches the coloring, so sculpture the anatomy of form.” [5] He followed that work with an untraced pendant that perhaps reversed the pose.

It is a Roman copy of a Hellenistic work of the 3rdC B.C. The “Boy with Thorn” is a Greco-Roman bronze sculpture with various Roman marble copies and later smaller sized bronze copies in multiple museums around the word: The “Boy with Thorn,” at the Capitoline Museums, is a Greco-Roman Hellenistic bronze sculpture of a naked boy sitting on a rock pulling a thorn from the bottom of his foot.

Many copies have been made of this image in bronze and marble. The faithful messenger was a shepherd boy. There is a Roman marble version of this subject from the Medici collections in a corridor of the Uffizi Gallery, Florence.

However, Filippo Brunelleschi more certainly adapted the Spinario's pose for the left-hand attendant in 1401 for his bronze panel The Sacrifice of Isaac, which was his trial piece for the competition to design the doors of the Baptistery of San Giovanni. “Boy with Thorn” or “Spinario” at the British Museum is a marble statue of a boy seated on a rock, removing a thorn from his foot. Our sculpture dates back to the 1st century BC.

In the following century, Charles I of England had a bronze Spinario made by Hubert Le Sueur. Çgiven its size, it can’t be considered to be a figure for public or private worship. In this sculpture, the head, body, and rocky seat were cast together as one piece. Pier Jacopo Alari Bonacolsi (c. 1460–1528), was called L’Antico for the refined interpretation of the Antique they recognized in his work.

The Spinario was made in the first century A.D. from marble and depicts a boy sitting with his legs crossed, while he is trying to remove a thorn from the sole of the left foot. Philip II of Spain received a copy from Cardinal Giovanni Ricci. He first delivered his message to the Roman Senate, and only after his duty was done, did he stop to remove a painful thorn from his foot. Antico was a 16th-century North Italian sculptor, known for his finely detailed small bronzes, often with gilded details, and silver-inlaid eyes, a refinement that is found in some classical and Hellenistic Greek bronzes. This beautiful statue is one of the few surviving examples of a Spinario by Antico.

The young Michelangelo profited from this early exposure to antique sculpture. Date:                     First century A.D. It joined the Uffizi collection from 1772, after being at the Villa Medici at Poggio Imperiale, which is in the south of Florence.

– Ralph Waldo Emerson, Photo Credit:1) By Yair Haklai (Own work) [CC BY-SA 3.0  or GFDL], via Wikimedia Commons; Alexandre Perez Vigo / CC BY-SA via Wikimedia Commons; Metropolitan Museum of Art / CC0; I, Sailko / CC BY-SA (https://creativecommons.org/licenses/by-sa/3.0), Sponsor a Masterpiece with YOUR NAME CHOICE for $5. Today, however, there are few examples in existence. bronze figure from the Capitoline Museums, Rome. [13], Paul Borchardt, "The sculpture in front of the Lateran as described by Bejamin of Tudela and.

[clarification needed] The work was standing outside the Lateran Palace when the Navarrese rabbi Benjamin of Tudela saw it in the 1160s and identified it as Absalom, who "was without blemish from the sole of his foot to the crown of his head.


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Çgiven its size, it can’t be considered to be a figure for public or private worship. Today, however, there are few examples in existence. His bronzes were remarkable for their extremely fine facture, meticulously cast and finely cleaned and finished. [10], The formerly popular title Il Fedele ("The faithful boy") derived from an anecdote invented to give this intimate and naturalistic study a more heroic civic setting: the faithful messenger, a mere shepherd boy, had delivered his message to the Roman Senate first, only then stopping to remove a painful thorn from his foot: the Roman Senate commemorated the event. Palazzo dei Conservatori, Musei Capitolini, Guida Artistica di Firenze: Sculture Antiche, Johannes Röll, "The Census of Antique Works of Art and Architecture Known in the Renaissance", https://en.wikipedia.org/w/index.php?title=Boy_with_Thorn&oldid=976988074, Greek and Roman objects in the British Museum, Wikipedia articles needing clarification from January 2018, Creative Commons Attribution-ShareAlike License.

This free-standing marble sculpture depicts the famous Boy with a Thorn, also known as Spinario or Fedele.

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