UPLOAD AN IMAGE SUBMIT A VIDEO OR … See All Trivia, Notes, Quotes and Allusions, The Assassination of Gianni Versace: American Crime Story, Please read the following before uploading. The Three Ladies, the Three Boys, the extra roles and the chorus were all confident and strong, and a pleasure to both watch and listen to. On the bad side: The villains in the tale are a woman and a black dude, and it’s made very clear that they are Other, Different and Wrong. (...Okay, maybe not so sensible.) http://tvtropes.org/pmwiki/pmwiki.php/Theatre/TheMagicFlute. It’s extremely clever and, as far as I could feel, devoid of either a patronising or pandering motivation. Why? Or, in the original German, Die Zauberflöte.

Contribute. ". Tamino’s best buddy Papageno also scores by getting a girlfriend called Papagena. Meanwhile, Tamino, Storming the Castle, has gotten hung up at the front door. Tamino, in the throes of love, agrees; Papageno needs to be bribed with the possibility of a Love Interest of his own — one who happens to be named Papagena. Papageno also gets the Squick of his life when a really old woman arrives and declares herself Papagena, his bride-to-be. No one has written a summary for "The Magic Flute." She performs an aria famous for its fantastically high glass-shattering notes in which she threatens to disown Pamina unless she kills Sarastro. Contribute! Bam. Next, Papageno attempts the same thing, only to be saved by the Three Young Boys and united with his no-longer-disguised-as-a-squishy-old-woman Papagena. The use of contemporary visual references in video, costume and set design, is eye-catching, amusing and relevant.

Watch ABC Weekend Specials - Season 14, Episode 7 - The Magic Flute: Performed by Cape Town Opera and University of Cape Town Opera School. Steven Stead on Così fan Tutte: Interview, COVID-19 Corona Virus South African Resource Portal, Wine, Dine & Stein food and wine series back. Finally, the Queen of the Night, Monostatos and the Three Ladies attempt to attack the Temple, only to have their power broken and to be cast into eternal night. The Magic Flute is actually closer to our understanding of a Musical than Opera: it is generally as seen as Lighter and Softer than, say, Richard Wagner's The Ring of the Nibelung, and deals more with the themes of ignorance versus wisdom and the virtues of love and family rather than the fall of the gods and the end of the world. The Queen gives Tamino his Magic Flute, Papageno a set of magic bells (both of which have the power to Charm Person when you play them), and tour guides in the form of Three Young Boys, and sends them on their way. Pamina, bereft of her beloved, decides to kill herself. When director Matthew Wild was first putting together this production for the South African College of Music (SACM) in 2015/16, the #FeesMustFall spirit was sweeping through South African universities, bringing with it questions around ownership of knowledge, the interrogation of curriculums, and widespread discussion and debate. The Three Ladies now return and show Tamino the portrait of a Princess Classic, Pamina, resulting in Love at First Sight. Thomas Mohlamme played Sarastro with suitable gravitas, while Leah Gunter carried off the Queen of the Night (and that piece) with flair. © 2020 CBS Interactive Inc. All Rights Reserved. He and Pamina link up and begin to exit the temple. This Magic Flute flips the bird at dead white composers, questions the relevance of studying Wolfgang Amadeus in the first place, and recognises the racism and sexism in the production and tries to do something about it. And, taken the weak plot and misogynist tone (blame the librettist), stoned is probably the most sensible way to approach the narrative. Permissions beyond the scope of this license may be available from thestaff@tvtropes.org. But. The Queen of the Night, however, is stuck with being a hysterical female (even though she has a nice line in arias) and there’s not much to be done there. Fast forward a year – and Wild has used this experience, and the learnings that came out of it, to present a Magic Flute that is contemporary, relevant, questioning and challenging. Lighting Designer: Patrick Curtis.

Also, being a "singspiel," it has dialogue, not just singing. Music Screenplay Info Original Print Info Genre User Reviews Other Reviews Articles Money Awards Quotes Trivia Home Video Reviews Misc Notes Alternate Versions Theatrical Aspect Ratio Fan Sites.

Wild tries his best to move beyond this by turning Monostatos the Moor into a robot, and it works quite nicely. (Of course, she's secretly a hot young woman in disguise, which just makes Papageno even more paranoid once this is revealed to him.) Because Arts Matter. First stroke of genius: Turning Mozart’s Magic Flute into a bong-fuelled dream by a befuddled UCT music student. Do not upload anything which you do not own or are fully licensed to upload. Choreographer: Joshua Beamish. Aired Saturday 12:00 PM May 07, 1994 on ABC.

But if I had to single out a star for the night it would be Brittany Smith as Pamina. Her dynamics, her range, and her expression were in a class above, and she shone. As Tamino the student falls into a dope-induced sleep, so the opera unfolds. But whatever, the bad guys die a lot, and both couples have their Happy Ending as the curtain falls. The images should not contain any sexually explicit content, race hatred material or other offensive symbols or images. Third count: Having faith in a set of young SACM opera trainees and graduates to pull off one of the world’s most well-known and beloved works. Finally, Monostatos sings his I-Want-Pamina Song and eventually joins forces with the Queen of the Night. Remember: Abuse of the TV.com image system may result in you being banned from uploading images or from the entire site – so, play nice and respect the rules! Tamino sees a picture of Tamina and falls in love with her. One of the consequences of that period was that the planned 2016 SACM production of The Magic Flute had to be cancelled.

"Monostatos" translates to "Stands Alone. This internal debate, stunningly presented via Kirsti Cumming’s video designs, sets the bar for a Magic Flute that is suffused with pop references, socio-political jokes and funky set and costume designs. Director: Matthew Wild. The romantic plot is also unbelievably trite, although in this age of Tinder it almost makes sense: see a picture, swipe right, fall in love. Several puffs of the holy weed later, and Tamino is holding a ganja-infused argument with himself about the merits (or lack thereof) of Mozart and why Star Wars hasn’t been made into an  opera (yet). TVTropes is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 3.0 Unported License. This Magic Flute flips the bird at dead white composers, questions the relevance of studying Wolfgang Amadeus in the first place, and recognises the racism and sexism in the production and tries to do something about it. Tamino awakes in time to meet Papageno, the Queen of the Night's royal bird-catcher, an eccentric fellow frequently costumed in feather-and-beak motifs. Overview Full Credits Full Synopsis. On the good side: There are some noteworthy themes within the opera which acknowledge the mystical power of music and the morally sound path of love, light and forgiveness. And because we want to share all that with you. IF Tamino can Save the Princess, who has been captured by a guy with the ominous name of Sarastro. The use of contemporary visual references in video, costume and set design, is eye-catching, amusing and relevant. It is now part of The Criterion Collection. A servant of Sarastro comes out and convinces Tamino that the Queen of the Night has pulled a switcheroo on him: she's the Big Bad, and Sarastro had Pamina kidnapped for her own safety. Also Known As: ABC Weekend Specials (04/30/94) | Magic Flute | MAIN Links.

It’s Harry Potter, Star Wars, Marvel Comics and Mozart – and it’s fabulous. The ABC Weekend Special is a weekly 30-minute anthology TV series for children that aired Saturday mornings on ABC from 1977 to 1996.

To make a long story short, this was the Mozartian equivalent of Joseph and the Amazing Technicolor Dreamcoat, with which it shares a similar level of popularity within its genre. Which, in its original form, is a tad embarrassing.

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