topkapi palace museum peacock thronePosted on October 8th, 2020
, The large Gate of Salutation, also known as the Middle Gate (Turkish: Orta Kapı), leads into the palace and the Second Courtyard. Topkapi Palace: OUR PEACOCK THRONE and amazing INDIAN JEWELLERYIS HERE - See 27,011 traveler reviews, 21,481 candid photos, and great deals for Istanbul, Turkey, at Tripadvisor.  The courtyard was expanded in the 18th century by the addition of the Interval (Mabeyn) and Favourites (İkballer) apartments. The structures expanded over time towards the Golden Horn side and evolved into a huge complex. The gate is further decorated with Qur'anic verses above the entrance and tuğras. The Fourth These constructions covered the site of the courtyard in the late 16th century. The blue-and-white tiles on the walls are copies of the tiles of the Circumcision Room, right across the terrace. The sultans of that period preferred to spend more time in their new palaces along the Bosphorus. Each courtyard served different purposes and was separated by a gate that incrementally restricted entry, culminating in the most-private third and fourth courtyards.
The Festival Throne In Topkapi Palace Istanbul – Chapter 2, The military band would take their place and begin to play. The restaurant has been visited by guests such as Queen Elizabeth II of the United Kingdom, First Lady Jackie Kennedy, President Richard Nixon, and boxer Mohammed Ali, among many others.
Legend has it that this diamond was bought by a vizier in a bazaar, the owner thinking it was a worthless piece of crystal. This stone was erected in commemoration of a record rifle shot by Selim III in 1790.
It houses what are considered to be "the most sacred relics of the Muslim world": the cloak of Muhammad, two swords, a bow, one tooth, a hair of his beard, his battle sabres, an autographed letter and other relics which are known as the Sacred Trusts. Most of the pavilions along with some of the seaside walls and gates were destroyed when the railway lines leading to the Sirkeci railway station were constructed in the late 19th century. The dormitory was founded in the 15th century. These included the Shore Kiosk, Pearl Kiosk, Marble Kiosk and the Basketmakers' Kiosk. The third courtyard extends to the fourth courtyard, which consists primarily of terraced gardens and pavilions. Interestingly, the paintings depicting the famous Peacock Throne are all said to be of its replica, which was made after Nadir Shah took it away. Its hall has one of the finest doors of the palace and leads past the wing of the crown princes (Kafes). During the reign of Ahmet III, the Tulip Garden outside the kiosk was filled with the latest varieties of the flower. The fireplace in the second room has a tall, gilded hood and has been restored to its original appearance. Both baths present the same design, consisting of a caldarium, a tepidarium and a frigidarium.  The sultan would enter the palace through the Imperial Gate (Turkish: Bâb-ı Hümâyûn, meaning "Royal Gate" in Persian, or Saltanat Kapısı) located to the south of the palace. Here the sultans receive the ambassadors and high For the 1964 film, see, Location in the Fatih district of Istanbul, Courtyard of the Sultan's Consorts and the Concubines, Twin Kiosk / Apartments of the Crown Prince, Tower of the Head Tutor / Chamber of the Chief Physician. The spaces surrounding this courtyard were rebuilt after the great fire of 1665. The large mirrors in this hall date from the 18th century. One of the palace’s most famous collections is that of the imperial jewels, housed in the Pavilion of the Conqueror, also in the third courtyard. The gate has a dome supported by lean marble pillars.
It was commissioned in the early 17th century by emperor Shah Jahan and was located in the Diwan-i-Khas in the Red Fort of Delhi. On the eastern edge of the Third Court is the Dormitory of the Expeditionary Force, which was closed for restoration at the time of research. Back through the Privy Chamber of Murat III are two of the most beautiful rooms in the Harem – the Twin Kiosk/Apartments of the Crown Prince.
These chambers represent all the details of the classical style used in other parts of the palace.
Only the sultan, members of his family, his servants, and the occasional approved visitor could enter. Regina Krahl (Author), Nurdan Erbahar (Author), John Ayers (Author). Several displays show an assembly of flintlock guns, swords, spoons, all decorated with gold and jewels. Built in the 17th century for the Mughal emperor Shah Jahan, who also commissioned the Taj Mahal, the throne served as yet another reminder of the extravagance of … The ceiling is partly painted and gold-leafed, with a golden ball hanging from the middle. On the lacquered ceiling of the throne, studded with jewels, are foliage patterns accompanied by the depiction of the fight of a dragon, symbol of power, with simurg, a mythical bird. The Second Court has a beautiful park-like setting.  The rebuilt kitchens form two rows of 20 wide chimneys; these chimneys were added by Mimar Sinan.
From the mid-18th century onwards, the building was used as the library of the Privy Chamber. A band of inscriptional tiles runs around the room above the shelf and door level. The Passage of Concubines (Cariye Koridoru) leads into the Courtyard of the Sultan's Chief Consorts and Concubines. Located underneath the Second Courtyard is a cistern that dates to Byzantine times. The Privy Room of Murad III is the oldest and best-surviving building in the harem and was designed by one of the Ottoman Empire’s most famous architects, Sinan. The Courtyard of the Queen Mother (Valide Sultan Taşlığı’), the Courtyard of the Chief Consort of the Sultan (Baş Haseki), the apartments of the Princes (Şehzadegân Daireleri), and the apartments of the Sultan (Hünkâr Dairesi) open to this passage. The rooms on the upper stories were for novices and those below overlooking the courtyard were occupied by the eunuchs who had administrative functions. The earliest of the 300-odd rooms in the Harem were constructed during the reign of Murat III (r 1574–95); the harems of previous sultans were at the now-demolished Eski Sarayı (Old Palace), near present-day Beyazıt Meydanı. The janissaries were paid their quarterly wages (called ulufe) from this treasury, which was closed by the imperial seal entrusted to the grand vizier.  The palace received its current name during Mahmud I's reign; when Topkapusu Sâhil Sarâyı, the seaside palace, was destroyed in a fire its name was transferred to the Palace. The entrance to this section is through the three doors in the portico of the Second Courtyard: the Imperial commissariat (lower kitchen) door, imperial kitchen door and the confectionery kitchen door. This space was an entrance hall into the harem, guarded by the harem eunuchs. , At the end of the imperial stables are the Dormitories of the Halberdiers with Tresses (Zülüflü Baltacılar Koğuşu). This is the rococo-style Fountain of Sultan Ahmet III, built in 1728 by the sultan who so favoured tulips. This features three enormous emeralds on the hilt and a watch set into the pommel. The tile panels on either side of the door were placed during later repair work.
This throne, called the Festival Throne, is decorated with topazes
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