The Surrealist photographer Man Ray, who owned the work from 1933 to 1936, recognized this compelling duality when he memorably described The False Mirror as a painting that "sees as much as it itself is seen.".

A large black pupil is located in the centre.

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This work is included in the Provenance Research Project, which investigates the ownership history of works in MoMA's collection. False Mirror is a one-man project of Tobias Hornberger, focusing on Dark Ambient music and experimental soundscapes inspired by natural forces and industrial derelicts. The False Mirror (1928) is a surrealist oil painting by René Magritte that depicts a human eye framing a cloudy, blue sky.

As a result, the sky appears as though seen through a circular window rather than mirrored in the spherical, liquid surface of an eye. [8], The original version of The False Mirror was painted at Le Perreux-sur-Marne, France in 1928. The False Mirror is set hundreds of years later when humans have accepted their fate as the universe's most adaptable and deadly creatures. Between 1933 and 1936 it was owned by the surrealist photographer Man Ray. The painting though is perfectly balanced, with its use of core colours and the black pupil as its central, focal point. It was completed in 1928. Its left, inner corner has a vivid, viscous quality. By visiting our website or transacting with us, you agree to this. The False Mirror is a painting of a large, unblinking eye, with no eyelashes present.

It is one of many pieces that were created in between World War I and World War II as artists attempted to come to terms with the horrible conditions that these conflicts caused.

Or are we viewing the image through an eye shaped looking glass? Perhaps the eye represents a dreamlike state and an environment that is constructed from peace and tranquility. Magritte’s single eye functions on multiple enigmatic levels: the viewer both looks through it, as through a window, and is looked at by it, thus seeing and being seen simultaneously. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos.

This record is a work in progress. Magritte's single eye functions on multiple enigmatic … It is almost as if we are looking through a window that is in the shape of an eye.

The eye in The False Mirror also serves several purposes. Does the eye see what we see?

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If you notice an error, please contact us at [email protected]. If you have any questions or information to provide about the listed works, please email [email protected] or write to: Provenance Research Project The Museum of Modern Art 11 West 53 Street New York, NY 10019. It is all seeing, unblinking.

What is interesting is that the name was penned by the surrealist writer and fellow Belgium, Paul Nougé.

Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. It's set from a different and much more intriguing point of view.

If you have additional information or spotted an error, please send feedback to [email protected]. The Surrealist photographer Man Ray, who owned the work from 1933 to 1936, recognized this compelling duality when he memorably described Le Faux Miroir as a painting that “sees as much as it itself is seen.”, The False Mirror presents an enormous lashless eye with a luminous cloud-swept blue sky filling the iris and an opaque, dead-black disc for a pupil. The iris appears to be full of life and almost luminescent, while the pupil is black and dead. If you would like to reproduce text from a MoMA publication or moma.org, please email [email protected].

The False Mirror: A Female Sleuth Mystery (Sharon Davis Chronicles Book 2) (English Edition) eBook: Dana V. Moison: Amazon.de: Kindle-Shop We have both created and experienced the environment around us, and this is represented in the fact that the eye iboth sees and is a reflection of the world. The observer and observed become one identity, with the identifiers of each becoming somewhat blurred. Is the eye simply a reflection of the sky?

While you follow the protagonist's inner turmoil and identity crisis, it throws up some interesting twists and keeps you reading.

The iris is painted to represent a bright blue sky with floating, white, fluffy clouds.

It does not merely reflect, but thinks and feels about those images that the brain processes. In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris. The emotion that instantly springs to mind when observing The False Mirror, is that of wonder and fear, as this is the emotion that has been represented in this surrealist paint form. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). The False Mirror is an incredibly haunting picture. [1][2][3] In the depiction of the eye in the painting, the clouds take the place normally occupied by the iris. The anatomical detailing of this area and its surface sheen contrast with the matte, dead-black of the eye’s pupil, which floats, unmoored, against a limpid, cloud-filled sky of cerulean blue.

Please, © 2020 C. Herscovici, Brussels / Artists Rights Society (ARS), New York. It is therefore probable that his art, and in particular this painting, were influenced by the stark and haunting conditions of war.

A large black pupil is located in the centre. The allusive title, provided by the Belgian Surrealist writer Paul Nougé, seems to insinuate limits to the authority of optical vision: a mirror provides a mechanical reflection, but the eye is selective and subjective. By visiting our website or transacting with us, you agree to this. The allusive title, provided by the Belgian Surrealist writer Paul Nougé, seems to insinuate limits to the authority of optical vision: a mirror provides a mechanical reflection, but the eye is selective and subjective. [14], The painting is said to be one of the inspirations for the 1952 CBS television "eye" logo designed by William Golden.

We use our own and third-party cookies to personalize your experience and the promotions you see. The allusive title, provided by the Belgian Surrealist writer Paul Nougé, seems to insinuate limits to the authority of optical vision: a mirror provides a mechanical reflection, but the eye is selective and subjective. The False Mirror was one of several pieces of art that was produced by Magritte between the First and Second World Wars. That project has concluded, and works are now being identified by MoMA staff. The oil on canvas work, sized 19 × 27 cm, is in a private collection.

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